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DTSTART;TZID=Europe/Amsterdam:20240607T100000
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DTSTAMP:20260525T163443
CREATED:20240529T092548Z
LAST-MODIFIED:20240601T114422Z
UID:1806-1717754400-1717779600@www.recntr.nl
SUMMARY:Conversations in and on the Activation of Archives | 7 June 2024 | 10am -17pm | Netherlands Fotomuseum  (Rotterdam)
DESCRIPTION:Join us for a series of conversations as part of a symposium presented by The Networked Audience @ MA Photography & Society // Royal Academy of Art\, in collaboration with Nederlands Fotomusem and ReCNTR. These conversations will take place within the exhibition ‘I wish there was color\, I wish there was sound’\, which displays long term collaborative archive activations initiated by Andrea Stultiens.   \n\nWith the emergence of digitisation\, the entanglement between photography as a contemporary mode of picture production and archives as entities in which photographs are kept has gained prominence in both artistic practices and academic discourses. Digital reproduction of photographs affords modes of distribution in which connections are easily both made and lost while networking audiences in formal and informal ways. Meanwhile practitioners\, researchers and audiences are guided by a wide and sometimes wild range of ethical\, ideological and economic concerns. \n\n\n\nDuring this symposium\, the consequences of these developments and concerns will be discussed through a series of conversations between individuals whose rich spectrum of experiences and expertise result from their diverse artistic and/or academic practices\, including ReCNTR’s Acting Director Mark Westmoreland. \n\n\n\nThe symposium is free to attend but registration is required due to limited available space and seats. Please register Here.   \n  \nAbout the Exhibition: \nPaul Julien (1901 – 2001) embarked on numerous journeys to Africa between 1932 and 1962\, a period marked by European colonization and missionary activities. During his travels\, he gathered scientific data from local communities\, employing methods rooted in colonial practices. Julien published four photo books and hosted a popular radio program discussing his African experiences. Upon his passing\, his photographic collection was entrusted to the Nederlands Fotomuseum. Artist and researcher Andrea Stultiens has since critically examined Julien’s work\, particularly its portrayal of Africa\, within the exhibition ‘I wish there was colour\, I wish there was sound’. Collaborating with African stakeholders\, Stultiens presents alternative perspectives on Julien’s images\, contextualizing them within contemporary discourse and employing diverse techniques like re-photography and collective making. The exhibition\, divided into five sections focusing on different regions\, invites visitors to engage with the photographs\, acknowledging their aesthetic appeal alongside their complex historical and cultural implications.
URL:https://www.recntr.nl/events/conversations-in-and-on-the-activation-of-archives-7-june-2024-10am-17pm-netherlands-fotomuseum-rotterdam/
LOCATION:Nederlands Fotomuseum\, Statendam 1 (Las Palmas)\, Wilhelminapier\,\, Rotterdam\, 3072 AR\, Netherlands
CATEGORIES:Symposium,Talk
ATTACH;FMTTYPE=image/jpeg:https://www.recntr.nl/wp-content/uploads/2024/05/MAPS_Networked-Audience-symposium_June-7-2024_Invite-scaled.jpg
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DTSTART;TZID=Europe/Amsterdam:20240607T193000
DTEND;TZID=Europe/Amsterdam:20240607T213000
DTSTAMP:20260525T163443
CREATED:20240529T091633Z
LAST-MODIFIED:20240529T092808Z
UID:1776-1717788600-1717795800@www.recntr.nl
SUMMARY:Obscuro Barroco Film Screening+ Q&A | 7 June 2024 | 19:30 | Netherlands Film Academy (Amsterdam)
DESCRIPTION:Join us for a screening of Evangelia Kranioti’s film Obscuro Barroco\, for our first collaboration with the Netherlands Film Academy Master in Film! The film will be introduced by art-filmmaker and PhD student Cyan Bae in the context of Evangelia’s body of work. After the screening\, there will be an extended Q&A that will locate Obscuro Barroco in relation to Evangelia’s other films\, led by Cyan Bae and Diana Toucedo.   \n  \n\nObscuro Barroco is an audiovisual project on the dizzying heights of gender in a land of extremes\, a photographic series and a two-channel video installation (Ecstasy Must Be Forgotten\, 31’). The project as a whole explores the many facets of Rio de Janeiro\, Brazil at a time when carnival and political struggles are converging. Since its immemorial origins\, the carnival has been a moment of metamorphosis\, when evil spells are countered against a background of inversion and social upheaval. Following the path of iconic transgender activist Luana Muniz (1961-2017)\, Obscuro Barroco addresses body politics\, post-colonialism and identity issues\, while questioning the desire for transformation of the body\, both intimate and social. \n  \n\n\n\nCyan Bae (filmmaker and PhD student at Leiden University) will be introducing the film in the context of Evangelia’s body of work. Together with Diana Toucedo (filmmaker and core team member of the Master of film)\, they will have a conversation with Evangelia about her process and methods of work\, locating Obscuro Barroco in relation to Evangelia’s other films. The conversation will center the themes of identity\, gender and queerness that resonate throughout Evangelia’s body of work\, including her latest film\, “The Rites of Spring”. \n  \n  \n Evangelia Kranioti is a Greek-born award winning visual artist and director based in Paris and working with film\, photography and installation. She studied law (National University of Athens) and piano (National Conservatory of Athens)\, as well as visual arts (École nationale supérieure des Arts Décoratifs de Paris) and cinema (Le Fresnoy – Studio national des arts contemporains\, Atelier Scénario La Fémis). In 2016 she received two Hellenic Film Academy Iris awards (Best Directorial Debut & Best Documentary) for her debut documentary feature Exotica\, Erotica\, Etc. (73’\, 2015). The film premiered at the Berlinale Forum and screened in various international festivals (IDFA\, BFI London\, Göteborg IFF\, Karlovy Vary IFF\, Sarajevo IFF etc) receiving numerous awards (Emerging International Filmmaker Award at Toronto Hot Docs\, Audience award at Films de Femmes Créteil etc). In 2019\, her solo show The Living\, the Dead and Those at Sea at Les Rencontres d’Arles\, was awarded with the Madame Figaro Women in Motion Prize. More recently\, Evangelia Kranioti was a resident fellow at the Villa Médicis\, Académie de France à Rome (2021-22) and an invited artist at the 75th anniversary edition of the Festival d’Aix-en-Provence (2023
URL:https://www.recntr.nl/events/obscuro-barroco-film-screening-qa-7-june-2024-1930-netherlands-film-academy-amsterdam/
LOCATION:Netherlands Film Academy\, Markenplein 1\,\, Amsterdam\, 1011 MV\, Netherlands
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://www.recntr.nl/wp-content/uploads/2024/05/EKRANIOTI_CARNAVAL-scaled.jpg
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